Resultados Editorial "Audible Originals" en Drama y teatro

Il podcast "Dedicato ai Cattivi" nasce con la volontà di far crollare la barriera che ci allontana dai testi classici. La cultura, come accezione sociologica, purtroppo - inutile negarlo - è diventato spesso sinonimo di noia. Quindi respingiamo tutti quei titoli più o meno conosciuti che incontriamo durante la nostra crescita, li rispettiamo se veniamo interpellati in merito, ma il più delle volte non li indaghiamo mai veramente a fondo. Per il suo lavoro, l'attore Francesco Montanari è obbligato a conoscerli e scardinarli fino al midollo.

Il podcast "Dedicato ai Cattivi" nasce con la volontà di far crollare la barriera che ci allontana dai testi classici. La cultura, come accezione sociologica, purtroppo - inutile negarlo - è diventato spesso sinonimo di noia. Quindi respingiamo tutti quei titoli più o meno conosciuti che incontriamo durante la nostra crescita, li rispettiamo se veniamo interpellati in merito, ma il più delle volte non li indaghiamo mai veramente a fondo. Per il suo lavoro, l'attore Francesco Montanari è obbligato a conoscerli e scardinarli fino al midollo.

Il podcast "Dedicato ai Cattivi" nasce con la volontà di far crollare la barriera che ci allontana dai testi classici. La cultura, come accezione sociologica, purtroppo - inutile negarlo - è diventato spesso sinonimo di noia. Quindi respingiamo tutti quei titoli più o meno conosciuti che incontriamo durante la nostra crescita, li rispettiamo se veniamo interpellati in merito, ma il più delle volte non li indaghiamo mai veramente a fondo. Per il suo lavoro, l'attore Francesco Montanari è obbligato a conoscerli e scardinarli fino al midollo.

Il podcast "Dedicato ai Cattivi" nasce con la volontà di far crollare la barriera che ci allontana dai testi classici. La cultura, come accezione sociologica, purtroppo - inutile negarlo - è diventato spesso sinonimo di noia. Quindi respingiamo tutti quei titoli più o meno conosciuti che incontriamo durante la nostra crescita, li rispettiamo se veniamo interpellati in merito, ma il più delle volte non li indaghiamo mai veramente a fondo. Per il suo lavoro, l'attore Francesco Montanari è obbligato a conoscerli e scardinarli fino al midollo.

The One with the first and last word on everything has finally arrived to set the record straight. After many millennia, and in just 90 minutes, God (assisted by his devoted angels) answers some of the deepest questions that have plagued mankind since Creation.

As they recount the events surrounding the disappearance of their toddler—one with a tendency to bite—two parents cope with grief in vastly different ways. While the father wrestles with feelings of guilt, the mother is convinced she’s spotted the boy in frightening TV news reports...though let’s just say he looks nothing like the precocious little boy they remember from a decade ago.

Dopo il grande successo delle prime due stagionie di "Dedicato ai cattivi" su Romeo e Giulietta ed Amleto, Francesco Montanari torna su Audible con un nuovo podcast dedicato alla lettura e commento di un grande classico del bardo di Stratford-upon-Avon, William Shakespeare: "Il mercante di Venezia". Entrare nelle opere è sempre una grande riscoperta. La sorpresa profonda è trovare quelle dinamiche che viviamo tutti i giorni dentro e fuori noi stessi guardando personaggi che agiscono nello spazio e ci lasciano storditi nel riconoscerci più di quanto possiamo immaginare...

The kitchen is the beating heart of every home—but for one woman summoned to an empty house, it’s also the portal to a complicated past. Forced to confront her family’s dark history or risk perpetuating it for generations to come, the woman sets out to do what her mother and grandmother before her never could. 

Stop me if you’re heard this one: Veteran comic Chauncy and social-media star José are the very definition of “opposites attract”. But sparks, and jokes, fly after the two of them embark upon a beautiful romance for the ages...two vastly different ages. Starring Drew Droege and Gabe Gonzalez, The Comedians is a modern queer love story, told through individual stand-up acts. We hear the ups and downs of their journey—from falling hard to failing harder than a botched punchline—in this hilariously relatable play about love, loss, and, above all, "The Laugh".

An invitation to a mysterious theatrical performance changes the lives of two women in Adam Rapp’s riveting new audio play The Cube. Magda, an upper-class White woman, is shocked to the core by what she sees—and questions her complicity. Ruth, a Black woman who played a role in the show, is thrilled to be part of it—until she discovers her performance is all too convincing. Directed by Whitney White, a visceral and truly immersive audio experience that tackles issues of race, privilege, and cultural blindness.

Written and performed by London-based actor and poet Jade Anouka (His Dark Materials), Heart introduces us to a woman who finds herself married and divorced at age 28. As she begins the process of piecing her life together, she confronts the insecurities and self-imposed boundaries that have always held her back. In the process, she discovers love in the last place—and with the last person—she expected.

Imagine a 1980s world of sumptuous hotel rooms, restaurants, New York City penthouses, and the powerful men who move easily between these pinnacles of luxury. They are music producers, rock stars, writers, and restaurateurs. They are household names like Billy Joel, Art Garfunkel, Eric Clapton, and Sting. And yet, each man has an entire aspect to his life that he doesn’t talk about publicly—his depression, his rocky marriage, his feelings of shame and failure, his private loss of faith. And now: The phone rings. Imagine the woman who has each of these men at her beck and call.

It’s a sweltering summer in Flatbush. In a neighborhood overrun by wrecking crews and new construction, the five Abellard sisters take refuge in their family home. In spite of their jovial, teasing conversations, the sisters are mourning the death of their father and the changing neighborhood. Each of them is also confronting personal losses of their youth and their dreams for the future.

What’s the cost of comfort? In The Fever, playwright, actor, and cultural icon Wallace Shawn (My Dinner with André, The Designated Mourner) captures the crisis of conscience of a privileged American traveler visiting a war-torn country. Faced with the disparity between her rarified world and the real world, she can’t help but wonder if she’s part of the solution or part of the problem.

Joseph is having a comically rough year. His job sucks, his relationship ended, he’s plagued by prank phone calls, and he nearly lost his father to the virus. When his best friend asks him to donate his sperm so that she can start a family, Joseph just can’t understand why anyone would bring a child into this calamitous world. The only bright spot is an intriguing new online relationship with an attractive internet “daddy” that has him rethinking his isolation until a series of revelations have him facing even bigger decisions about his future. 

What happens when “The show must go on!”meets a global pandemic? In this illuminating four-part podcast, host Faith Salie looks at the lives affected by 2020’s shutdown of Broadway and the subsequent reopening of productions there and across the country.

It’s Christmas Eve, and Lara anxiously anticipates the arrival of her sister, Cleo, so she can reveal a shocking family secret that has been haunting Lara since their mother’s death. By confronting revelations about their grandfather’s shameful past, Lara is hopeful that she and Cleo can make reparations and exorcise this ghost from their lives. The ghost, however, won’t be appeased so easily.... 

A bonding adventure goes horribly wrong in this gripping story of trust, survival, and motherly instincts. Karla and her stepdaughter Olivia are alone on a remote family camping trip when news of a mysterious outbreak in nearby San Francisco begins to trickle in. With little information to go on, the two women must identify the biggest threat to their safety: the supposedly deadly virus, the stranger who stumbles into their campsite, or each other.

Tori (Grace McLean) aims to be the first woman to row solo across the Atlantic. As a child, she raised her younger brother Lamar (John McGinty), defending him against discrimination and neighborhood bullies. Now, with nothing but her body and a hand-built boat, she squares off with her own tormentor: the ocean.

Nazanin and her friends are on the brink of adulthood. As they prepare for a wedding, outside their living room the Iranian Revolution simmers and threatens to alter the course of their lives. Set over the course of 14 years, Sanaz Toossi’s timely world premiere play, directed by Gaye Taylor Upchurch, shines a light on the daring potential of friendship amid the relentless aftershocks of political upheaval.