Resultados de "Joseph Sheridan Le Fanu" en Todas las categorias

A collection of 45 short stories which threaten to unhinge the listener's mind. Strange phenomena, insane genius, inexplicable happenings and the inability to deal with life and death are all themes which run through this brilliant selection.

As they ride along in their carriage, beyond them on the road they see a man hailing them to stop. It is a tall man in a cape and wide brimmed hat, and he tells Heir Gerard Dahl that he has been waiting for him to return from Rotterdam. Dahl is the uncle and guardian of Rose Falderkaust, and the caped man tells him that he will visit him tonight at seven o’clock at his studio on an urgent matter.

"Carmilla" è un romanzo del 1872 di Sheridan Le Fanu. Questo autore è stato tra i primi a riportare il mito del vampiro nel suo luogo d'origine, quella vasta zona dell'Europa che dall'Austria giunge fino alla Russia estendendosi a tutta l'area balcanica. Carmilla, racchiude in sè molte caratteristiche letterari che vanno da Coleridge, a Polidori, anticipando decisamente Bram Stoker e il suo "Dracula". Il fascino, la capacità di seduzione, l'apparente fragilità nascondono l'astuzia e la malvagità del vampiro.

Eerie old houses, wretched smiles, mausoleums, and banshees. Stories from masters of the horror genre, M.R. James, F. Marion Craword, Edgar Allan Poe, W.W. Jacobs, Amelia Edwards, Joseph Sheridan Le Fanu, and H.P. Loveraft, stories to make your body tingle and your mind play tricks.

This is a story from The Moonlit Road collection. These five 19th-century ghost stories from both sides of the Atlantic provide some of the best chills in the genre. Ambrose Bierce is well-known, but "To Let" by B. M. Croker and "The Upper Berth" also provide moments to tingle the spine, as does "An Account of Some Strange Disturbances" by Le Fanu. This collection, which is further enhanced by suitably chilling music, was originally released under the title Classic Chilling Tales 3.

Joseph Sheridan Le Fanu was one of the major figures of 19th-century supernaturalism. He helped move supernaturalist fiction away from the gothic's emphasis on external sources of terror and toward a focus on the effects of terror, thus helping to create the psychological basis for supernaturalist and horror literature that continues today. "The Familiar" is one of his most terrifying tales.

A masterful collection of horror fiction by widely acclaimed authors whose contributions to the genre have been lost in the shadow of Poe. Edgar Allan Poe did not invent the tale of terror. There were American, English, and continental writers who preceded Poe and influenced his work. Similarly, there were many who were in turn influenced by Poe's genius and produced their own popular tales of supernatural literature.

Maud Ruthyn, the young, naive heroine, has a governess who is an enigmatic older woman, a liar, bully, and spy, who takes a dark secret with her when she leaves. Maud is then orphaned and moves in with her Uncle Silas, her father's mysterious brother and a man with a scandalous - even murderous - past. She is horrified to find her former governess appears in her life again, in this Gothic Victorian psychological thriller, with a touch of the occult.

A strange woman becomes a guest of the house of Laura and her father by devious means. Disappearances, nocturnal wanderings, sickness, and death ensue, and no one knows what is behind it all.

Demons, vengeful spirits, insanity, premature burials, and lesbian vampires. In a Glass Darkly contains five diabolical tales of horror and mystery that will get the heart racing. Each story, including the famous "Green Tea" and "Carmilla", is presented as a case from the posthumous papers of Dr. Martin Hesselius, a metaphysical physician who has no doubt as to the existence of supernatural phenomena - unlike our anxious protagonists....

'Os contos que compõem esta coletânea foram selecionados dentre os mais populares, incluídos alguns pouco conhecidos do público brasileiro, como Joseph Sheridan le Fanu, M.r. James e W.W. Jacobs. esperamos que nossas escolhas dêem tanto prazer ao leitor quanto o que nos proporcionou a...

Joseph Thomas Sheridan Le Fanu (28 August 1814 - 7 February 1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era.

The oldest and strongest emotion of mankind is fear, and the oldest and strongest kind of fear is fear of the unknown. These facts few psychologists will dispute, and their admitted truth must establish for all time the genuineness and dignity of the weirdly horrible tale as a literary form... As may naturally be expected of a form so closely connected with primal emotion, the horror-tale is as old as human thought and speech themselves.

The moonlight spills like silver across ancient walls, and somewhere in the velvet darkness, a whisper stirs—a name, half-sighed, half-forgotten. Carmilla. A name as soft as a caress, as chilling as a shadow at the edge of the candle's glow. She does not knock at your door; she drifts through it like a dream. She is beauty wrapped in mystery, desire woven with dread. This is not a story of fangs bared in the night, nor of crude terrors lurking in the crypt. Carmilla is subtler, more intoxicating—a tale that shivers on the border between love and death, fascination and fear.

Contents: Edgar Allan Poe - The Murders in the Rue Morgue - The Gold Bug - The Black Cat - The Pit and the Pendulum - The Tell-Tale Heart - The Fall of the House of Usher - The Masque of the Red Death - The Cask of Amontillado - The Facts in the Case of M. Valdemar - Hop-Frog - The RavenBram Stoker - DraculaMary Shelley - FrankensteinJoseph Sheridan Le Fanu - CarmillaRobert Louis Stevenson - The Strange Case of Dr. Jekyll and Mr. HydeH.P. Lovecraft - The Alchemist - At the Mountains of Madness - Azathoth - The Beast in the Cave.

Love has many forms, many needs. Some fall into the dark, into the shadows. Forbidden love has connotations of desire, of possession but also of matters far more unsavoury. It’s a delicate facet of love that our classic authors explain with careful words and superbly crafted narratives.

Three Gothic Novels is a compelling collection that brings together three quintessential works of Gothic literature: Mary Shelley's Frankenstein, Joseph Sheridan Le Fanu's Carmilla, and Bram Stoker's Dracula. Each novel delves into the macabre and the supernatural, exploring themes of fear, horror, and the unknown, while also probing deeper questions about humanity, morality, and the boundaries of science and nature. In Frankenstein, Mary Shelley tells the haunting tale of Victor Frankenstein, a young scientist who defies natural laws to create life, only to be horrified by the monstrous being he brings into existence.

Vor dem Schloss eines pensionierten Generals verunglückt eine Kutsche. Wirklich nur ein Unfall ...? Die mysteriöse Insassin ist gezwungen, ihre junge Tochter in der Obhut der Schlossbewohner zurückzulassen.Die ätherisch schöne Carmilla übt auf alle, aber besonders auf Laura, die gleichaltrige Tochter des Generals eine starke Faszination aus. Ein undefinierbarer Zauber umgibt das Mädchen. Noch ahnt niemand, dass Carmilla ein dunkles Geheimnis hütet.

Joseph Thomas Sheridan Le Fanu (1814-1873) was an Irish writer of Gothic tales and mystery novels. He was the leading ghost-story writer of the 19th century and was central to the development of the genre in the Victorian era. Carmilla is Le Fanu's famous classic vampire story which has been filmed numerous times, including Vampyre (1932), Blood and Roses (1960), Crypt of Horror (1964), The Vampire Lovers (1970) and Carmilla (1999).

'Wicked Captain Walshawe' is a disquieting ghost story. Captain Walshawe, a dissolute rake, marries a wealthy heiress as a means to pay off his gambling debts. The marriage is an unhappy one on account if his dreadful behaviour. When his wife dies, her old Irish servant casts a curse on Walshawe...which years later leads to a bizarre and totally inexplicable scene after the captain's own death.