Resultados narrador por "Jonathan Keeble" en Todas las categorias

Oliver Twist, Dickens’ second novel, has enthralled generations of readers since its publication in 1838. Orphaned and desolate, Oliver’s journey to London and subsequent induction into its dingy underworld, is narrated with ceaseless energy by Jonathan Keeble. His depictions of Fagin and the terrifying Bill Sikes are particularly mesmerizing, and his reading is infused with a delicious knack for storytelling.

The Traitor Host of Horus Lupercal tightens its iron grip on the Palace of Terra, and one by one the walls and bastions begin to crumple and collapse. Rogal Dorn, Praetorian of Terra, redoubles his efforts to keep the relentless enemy at bay, but his forces are vastly outnumbered and hopelessly outgunned. Dorn simply cannot defend everything. Any chance of survival now requires sacrifice, but what battles dare he lose so that others can be won? Is there one tactical stroke, one crucial combat, that could turn the tide forever and win the war outright?

Published four years after Rousseau's death, Confessions is a remarkably frank and honest self-portrait, described by Rousseau as "the history of my soul". From his idyllic youth in the Swiss mountains, to his career as a composer in Paris and his abandonment of his children, Rousseau lays bare his entire life with preternatural honesty. 

Piers Plowman, William Langland's visionary medieval work about one man's quest for the true Christian life, is an allegorical journey through dream visions and visions within dreams. During the course of his journey, the narrator (William Langland) meets Piers Plowman, who gradually reveals himself to be the son of God. Through Piers, William learns of the virtues in poverty, the temptations of wealth, and of the perfect society that is to come under the rule of Piers Plowman.

Petronius’ Satyricon is a rampant and vivacious Roman adventure dating back to the first century, during the reign of Nero. It follows the exploits of Encolpius, an impoverished ex-gladiator, and his boy-lover Giton. The action is fleet and the narrative sweeping: over the course of their journey we meet a host of lewd and comical rogues, including beggars, prostitutes, poets, sodomites, and pedants, and witness many strange and curious events, including a remarkably vulgar multi-course feast, hosted by the pompous nouveau riche Trimalchio 

Sensual, macabre, joyous and liberating, The Flowers of Evil, or Les Fleurs du Mal, is a beautifully debauched reflection on dreams, sin, life, and death. With subjects ranging from travel to drugs, sex to faith, sleep to contemplation, Baudelaire finds new beauty in the most sinister and corrupt of situations. His morbid and nightmarish Romanticism was completely unique: cynical and bleak, but also inspiring. The book was highly controversial upon its release and Napoleon III’s government prosecuted Baudelaire for "an insult to public decency".

Considered the bridge between romanticism and modernism, Matthew Arnold wrote verse that is simple, unadorned, and straightforward. From the hypnotic and beautiful lines of "Dover Beach" to the pastoral narrative of "The Scholar Gipsy", Arnold cast a gaze at the main intellectual issues of the 19th century while giving a timeless insight into man and nature. This collection covers his major poetic works, including the narrative poems, sonnets and elegiac poems, illuminating the lyricism and serenity of Arnold's best poetry.

In 1944, British bomber pilot Hugo Langley parachuted from his stricken plane into the verdant fields of German-occupied Tuscany. Badly wounded, he found refuge in a ruined monastery and in the arms of Sofia Bartoli. But the love that kindled between them was shaken by an irreversible betrayal. Nearly 30 years later, Hugo's estranged daughter, Joanna, has returned home to the English countryside to arrange her father's funeral. Among his personal effects is an unopened letter addressed to Sofia. In it is a startling revelation.

Rookie Cop Dave Stewart knew that William Bailey was guilty of murder. All he had to do to convict him was change one line in his statement. Detective Chief Superintendent John McCauley loves dirt. He collects it in secret files to use against his enemies, and since Stewart slept with the beautiful Detective Sergeant Anne Wallace, he is the enemy. Stewart hatches a plan to destroy the evidence against him, but inside McCauley's files is evidence of a vile paedophile ring operating under the Chief's nose. Now three people are dead, and Dave Stewart is the prime suspect.

In a darkened cell, a brutally deposed dictator lies crippled - deprived of his power, his freedom and his eyes. On the edge of utter despair, his only companion is the young boy who brings him his meagre rations, a mere child who fears his own shadow. But to one who has held and lost the highest power, one thing alone is crystal clear: even emperors were mere children once. Ten years later the new ruler's son watches uneasily over his father's empire.

Behind our democracy lurks a powerful but unaccountable network of people who wield massive power and reap huge profits in the process. In exposing this shadowy and complex system that dominates our lives, Owen Jones sets out on a journey into the heart of our Establishment, from the lobbies of Westminster to the newsrooms, boardrooms and trading rooms of Fleet Street and the City.

145 BC - Calabria, ancient Rome. After years of spilling blood for Rome, Gaius Furius Paullus has returned home to spend his remaining days working quietly on the family farm. But it seems death has stalked Paullus from the battlefield. Just days after his arrival, bodies start appearing - murdered and mutilated. And as the deaths stack up and panic spreads, the war hero becomes the prime suspect. After all, Paullus has killed countless enemies on the battlefield - could he have brought his habit home with him?

Out of the heart of China into the mountains of Central Asia, across Northern Afghanistan and the plains of Iran into Kurdish Turkey, Colin Thubron undertakes a journey along the greatest land route on earth: the Silk Road. Travelling 7,000 miles in eight months, he traces the passage not only of trade and armies, but of ideas, religions and inventions.

An impecunious businessman, Bedford, retreats to the Kent coast where he meets the archetypal absent-minded scientist, Dr Cavor, who is on the point of producing a gravity-defying material. His experiments prove successful, making possible one of man’s oldest dreams: a journey to the moon. The two men embark on this fantastic voyage–Bedford motivated by the prospect of wealth, and Cavor by the thirst for knowledge. However, when they arrive, they find a world of freezing nights and sweltering days, and signs of a threatening alien presence, from which they may never escape.

Mary Shelley began writing Frankenstein when she was only eighteen. At once a Gothic thriller, a passionate romance, and a cautionary tale about the dangers of science, Frankenstein tells the story of committed science student Victor Frankenstein and his creation. Obsessed with discovering the cause of generation and life and bestowing animation upon lifeless matter, Frankenstein assembles a human being from stolen body parts but; upon bringing it to life, he recoils in horror at the creature's hideousness. 

Robert Blake—a young man with an interest in the occult—becomes fascinated by a large disused church set on a hill which he can see from his lodgings. His researches reveal that the church has a sinister history and is dreaded by the local inhabitants as being haunted by a primeval evil.

The narrator travels through the nearby decrepit seaport of Innsmouth which is suggested as a cheaper and potentially interesting next leg of his journey. There he interacts with strange people and observes disturbing events that ultimately lead to horrifying and personal revelations. It forms part of the Cthulhu Mythos, using its motif of a malign undersea civilization. It references several shared elements of the Mythos, including place-names, mythical creatures and invocations.

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.

Before throwing himself from the window of his attic, the untitled protagonist writes some notes related to his mental state. Then, he begins to recall an old story that happened in the years of the First World War: suddenly, he finds himself a prisoner of a German ship in the Pacific Ocean. After only five days, the protagonist manages to escape with a raft. Wandering for days, adrift in the sea, one afternoon he finds himself stranded on a disquieting and apparently deserted island and, from there, things only get stranger.

The story is narrated by the scion of the Delapore family, who has moved from Massachusetts to his ancestral estate in England, known as Exham Priory. On several occasions, the protagonist and his cats hear the sounds of rats scurrying behind the walls. Upon investigating further, he finds that his family maintained an underground city for centuries and that the inhabitants of the city fed on human flesh, even going so far as to raise generations of human cattle, who eventually began to de-evolve due to their sub-human living conditions.